discourse of musicology

by Giles Hooper

Publisher: Ashgate in Aldershot, Hants, England, Burlington, VT

Written in English
Cover of: discourse of musicology | Giles Hooper
Published: Downloads: 132
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Subjects:

  • Music -- 20th century -- Philosophy and aesthetics.,
  • Music -- 20th century -- History and criticism.,
  • Musicology.

Edition Notes

Includes bibliographical references.

StatementGiles Hooper.
Classifications
LC ClassificationsML3845 .H645 2006
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL3398986M
ISBN 100754652114
LC Control Number2005012650

Shi-xu is Professor and Director of the Institute of Discourse and Cultural Studies, Zhejiang University, China, and was previously Research Fellow at the University of Amsterdam, Lecturer at the National University of Singapore, and Reader at the University of Ulster, UK. His other books in English include Cultural Representations, Read the Cultural Other (lead-editor) and Discourse as. The contributors to this collection look at particular manifestations of cumbia through their disciplinary lenses of musicology, sociology, history, anthropology, linguistics, and literary criticism. [The book] is a laudable effort to establish an understudied Latin American popular music in Anglophone academic discourse.” — Sven Kube. The rhetoric of the book was forward-looking but, in fact, the book stands as a summarizing monument at the end of a period: up to the time of the book, Kerman’s style of music criticism could be seen as a central dissident discourse within musicology but, before long, it would be displaced by other initiatives. Features articles and book reviews on a range of topics in music theory and analysis, including aesthetics, the history of theory, linear analysis, post-tonal theory, and narratology. Music Theory Spectrum (–) (Society for Music Theory) Musica Disciplina. Musica Humana (Korean Institute for Musicology).

The name of the book can be translated into English as “Music as Culture” and the main objective of the book is to present ethnomusicological thinking and cultural analytical approaches to music. The publication was planned to be used as textbook for introductory courses at universities and as an entrance examination book for young people.   These rhetorical values are explored in recent contentious discussions over disciplinary identity: the JAMS colloquy “Musicology without Borders”; the colloquy on Ibero-American repertoire in music history surveys in Journal of Music History Pedagogy; and the response to Pierpaolo Polzonetti’s Musicology Now post “Don. The text doesn’t refer to cultural musicology, but the start of the article implicitly gives an idea of what she might have in mind when she describes the ways that musicology’s “pluridiciplinary foundations” open the discourse to the influences of a plethora of methods and epistemologies (Fauser ). defects engendering the modern body corporealities discourses of disability Posted By Anne Rice Media TEXT ID e75a37b0 Online PDF Ebook Epub Library disability 2 3 pdf drive search and download pdf files for free be seen as a visitation from the goddess sitala and the victim defined as sacred and taboo introduction start.

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Book Description In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship.

The Discourse of Musicology. Giles Hooper. In "The Discourse of Musicology", Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology.

The first chapter seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. In Discourse of musicology book Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical by: 9.

The Discourse Of Musicology. In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology.

The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical. In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology.

The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical : Taylor And Francis. In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology.

The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical : Giles Hooper. DOI link for The Discourse of Musicology.

The Discourse of Musicology book. The Discourse of Musicology. DOI link for The Discourse of Musicology. The Discourse of Musicology book.

By Giles Hooper. Edition 1st Edition. First Published eBook Published 1 April Pub. location : Giles Hooper. Book review: Giles Hooper, The Discourse of Musicology Article (PDF Available) in Music and Letters 89(1) February with Reads How we measure 'reads'.

In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology.

The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. Then, in attempting to overcome some of the problems typically associated with postmodern theory, Hooper draws on the work of Jürgen Habermas in order to interpret musicology.

The discourse of musicology 1. Music – 20th century – Philosophy and aesthetics 2. Music – 20th century – History and criticism 3. Musicology I. Title '2 Library of Congress Cataloging-in-Publication Data Hooper, Giles, – The discourse of musicology / Giles Hooper.

cm Includes bibliographical references. ISBN (alk. paper) 1. In Joseph Kerman published the article "How We Got into Analysis, and How to Get Out," calling for a change in musicology. He asked for "a new breadth and flexibility in academic music criticism [musicology]" (Kerman,30) that would extend to musical discourse, critical theory and analysis.

In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship.

People of color and other sidelined groups within the field of musicology—together with their topics, interests, practices, methods, experiences, and cultural productions—might become central to its discourse and structures if the majority of scholars take up extant methods both within and outside of music studies, as well as those yet to be developed, that move these communities and their.

Musicology (from Greek 'μουσική' (mousikē) for 'music' and 'λογος' (logos) for 'domain of study') is the scholarly analysis and research-based study of logy departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational).

The representation of history within the discipline, music's beginnings, the nature of historical musicology and its methods, the concept of the ‘relative autonomy’ of music history within the scope of art history, and recent developments are examined, in addition to the tension between local and global historiography, the focus on Western art music (‘eurocentrism’), and finally political or.

Kofi Agawu's Music as Discourse promises to quickly become a standard and definitive work in musical semiotics. Working at the nexus of musicology, ethnomusicology, and music philosophy and aesthetics, Agawu presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself--composed not only of sequences of gestures, phrases, or Reviews: 1.

It is a discourse of African Musicology and Culture within a South African Context. the book presents a synthetic and innovative approach to musical meaning which argues deftly for the. Music And Discourse In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in musicology and discourse studies.

Discourse. It proposes to re-examine these multiple relations by thematizing, from the point of view of interpretation, music as language, discourse, work of art and text, the performance of music and the discourse on music – musicology itself.

Musical hermeneutics as a discipline is today the focus of musicological interest. In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship.

Then, in. The book, intellectually magisterial, is beautifully written, supremely well argued, and anchored in what actually happens in musical works. By no means least, Kramer articulates the stakes—for musical understanding and music’s myriad social and cultural agencies—that append to the thinking about music.

From the Cambridge English Corpus. The fact that it presents itself in such a fashion is an indictment of the gestural rather than critical orientation of political discourse within musicology.

From the. Discourses in African Musicology: J.H. Kwabena Nketia Festschrift highlights the proceedings of a conference at the University of Ghana in honor of Professor J.H. Kwabena Nketia on his 90th birthday.

Professor Nketia was instrumental in shaping the field of ethnomusicology and providing the foundation for an African : Discourse analysis denotes the scientific investigation of written, spoken or sign language within the context of semantic and semiotic studies and humanities.

Discourse analysis looks at communication to distinguish coherent units of meaning, such as sentences or gestures.

Musicology: Selected full-text books and articles The Canon and the Curricula: A Study of Musicology and Ethnomusicology Programs in America By E. Eugene Helm Pendragon Press,   Another concept that is on the forefront of musicology is the definition of musical discourse as a language for which there exists no known words; a type of collective poetry born of humankind’s capacity for deep emotion.

The proctoring and mentoring of student musicians has close ties with the role of music as discourse. The discourse of musicology and timbre. 17/03/ How was it possible for Beethoven to create music well after he turned deaf.

What was the very fact that made the rumble of bass-guitar-voice-drums that was The Sex Pistols appeal so highly to music researchers from a scientific point of view. Books shelved as musicology: The Rest Is Noise: Listening to the Twentieth Century by Alex Ross, Feminine Endings: Music, Gender, and Sexuality by Susan.

‘Finally, it is an excellent reference and great resource book for research into several other areas of the vast field of music performance, musicology and sociology.’ ‘She will be studying musicology, the history of music, at the prestigious New York university and had to compete against 60 other candidates to gain full funding for the.

The object, in many cases, is to suggest that all music is a form of nonverbal political or social discourse. But it is also an attempt to undermine traditional musicology's reverence for its. Iranian Classical Music: The Discourse and Practice of Creativity.

By Laudan Nooshin. pp. xiv + SOAS Musicology Series. (Ashgate, Farnham and Burlington, Vt., £ ISBN .A theoretically informed musicology, he argues, can reflect on its own procedures and create strategies for particular problems as they arise.

In this sense the book offers a musicology under construction. To appreciate how theoretical discourses function and the interests they .With the rise of nationalism in the Republic of Korea, music has come to play a central role in the discourse of identity.

This volume asks what Koreans consider makes music Korean, and how meaning is ascribed to musical creation.